And what the movie got wrong.

When I look at the Jackson Pollock painting, Autumn Rythm, I see a frantic chorus of dancing energy. Some fans of his work see a darker tone in the brushstrokes, while others call B.S., seeing his creative effort as gimmicky and without merit. No one viewpoint is right or wrong. It’s all in how you look at it, and what you draw from it.

The same can be said for the film adaptation of The Glass Castle. This bestselling novel by Jeanette Walls served as a popular read for many book clubs, and resonated with many readers who grew up in dysfunctional families. Film adaptations of popular books are often met with mixed reviews. While a book can delve deep into a story, the movie version must choose between what is essential and what elements can be left out without affecting the essence of the story.

In Walls’ memoir, she takes readers on a crazy ride that was her childhood. Along the way, we get to meet and understand her parents—a father who is an alcoholic and a mother suffering from mental illness. They both are fighting their individual demons, leaving the children to raise themselves. It can be safely said that neither should have had children, and together they make a toxic pair.

However, in the film adaptation, the decision was made to make Walls’ mother a secondary character—focusing instead on Jeannette and her rocky relationship with her father, portrayed in the film by Woody Harrelson who superbly expresses the angst of a man fighting his addiction.

What did the film get wrong? By erasing the mother’s struggle with mental illness, Naomi Watts as Jeannette’s mother, Rose Mary, is left portraying a character that lacks the depth and bite found in the novel, leaving a character that transcends into little more than wallpaper. It’s time for mental illness to be a front-burner story, and the film adaptation of the memoir misses on this point.

Like a Jackson Pollock painting, The Glass Castle movie will probably generate applause from some and the shaking of heads from others.

60 Second Movie Review

Heidi McCrary