Download Taylor Swift’s new song for FREE!

The following post appeared on my Facebook feed the other day, posted by an author who unabashedly leans left on the political spectrum… “Do you want to read The Room Where it Happened by John Bolton? Here it is in its entirety. Just don’t buy it and help to line Bolton’s pockets.” This post contained a PDF attachment of the digital version of the book in its entirety. In the spirit of enforcing copyright laws, Facebook quickly removed the PDF attachment, leaving anyone who clicked on her post, with a message that the contents had been removed.  

While I understand the frustrations of this person, who feels that Bolton has no right to profit from his book due to his refusal to share this information during the Presidential Impeachment trial, I am perplexed with a writer championing the idea of giving away the intellectual property of an artist… even a politician.

The issue of the unpaid artist is not a problem only with writers. This conundrum involves musicians, graphic designers, painters, photographers, and anyone providing a service that can easily be shared digitally. How often have we shared a photo that we retrieved from the World Wide Web, with little thought of where the source originated, and with even less regard to how this artist is losing profit from each click of the Download button.

“I can’t afford to pay you, but you will receive so much publicity by donating your (Insert craft here),” is a phrase often echoed by well-meaning people who think they are providing an opportunity, when in fact, they are simply perpetuating the belief that artists should be sharing their craft for free, and that the next person is the one who should be paying for their services.

This challenge for all artists is only getting worse, with the Internet providing so many avenues for the pirating of digital copies of art. While we may justify our actions by telling ourselves that the person we are stealing from is rich and will never miss our lack of contribution for their product, the truth is, it is harder today for the writer/artist/musician to profit from their craft due to the pirating of property that is done without thought or consequences. Why do we think it is OK to download the Taylor Swift song we lifted off of a questionable website? Perhaps, because we can. And is Taylor Swift really going to hurt from the one swipe of a song?

The answer is, Yes. The pirating of property from writers/artists/musicians is theft. It’s time we acknowledge this, and time to step up and pay for their services. As I embark on the publication of my first novel, I hope that literary enthusiasts will not share my property just because they may think that, “It’s just one copy.”          

Here’s a thought… Let’s think twice before hitting the Download button on the Internet when given the opportunity to receive the beauty of art for free. The writer/artist/musician deserves our respect, and just as importantly, our payment for their services.

Heidi McCrary is a writer and a regular contributor to Moxie Magazine. Look for her debut novel, Chasing North Star September 29, 2020. Follow Heidi at heidimccrary.net and facebook.com/HeidiMcCraryAuthor

Little Movies Everywhere

As our New Normal continues, I sat down to watch a miniseries recently added to the online streaming service, Hulu, starring Kerry Washington and Reese Witherspoon. Having read the best-selling novel two years ago, I was looking forward to seeing this film adaptation featuring an affluent dysfunctional family. After all, nothing is more entertaining than reading about a rich family falling down a dark rabbit hole.   

The story opens with the torching of the Richardson’s home. (No spoiler alert here, this major event literally happens on the first page of the novel.) Refreshingly, with five of eight episodes now online, the miniseries remains loyal to the novel’s storyline and subplots.

I  have a rule when it comes to watching film adaptations. If I have any plans of reading the novel, it must be done prior to seeing the movie. There are two reasons why the order of this is important…

  • Movies are based on books, not the other way around – I’m sure there has been a successful novel based on a movie, but I can’t think of one. There’s a reason why the book comes first, and I’m not going to mess with the natural order of storytelling.  
  • When reading a book, it is important to draw my own visuals based on the author’s narrative – I don’t want to picture Reese Witherspoon as I sit alongside the main character while she watches her daughter walk into the school, wondering why her daughter isn’t following the metaphorical map she so carefully laid out for her. As I get lost within the pages of a novel, I am able to “see” the mother as she sits in her car, in full makeup even though it’s 6:30 in the morning. I am able to visualize this because of the author’s rich narrative, not because I’m envisioning Witherspoon’s interpretation.

While many movies fail to rekindle the fire of the novels they’re based on (I’m talking to you, “The Glass Castle.”), there is the occasional surprise film that eclipses the written word. “The Bridges of Madison County” film adaptation brought a simple story to life with strong performances by Meryl Streep and Clint Eastwood, while being directed by Eastwood. But this is an exception to the rule.

And rules are made to be broken. Many years ago, after being captivated by the raw performances by Barbra Streisand and Nick Nolte in a 1991 drama based on a best-selling novel, I sat down with the book, “The Prince of Tides,” and fell in love with the Pat Conroy story for a second time.

So, how do I feel about the “Little Fires Everywhere” miniseries after five episodes? I am hooked on following the sad lives of those two families from Shaker Heights, Ohio all over again.

Placing a Red Bow on Downton Abbey

Why Some Stories Don’t Need a Reboot

“So,” I said, turning to my friend as the credits rolled up the movie screen. “Did you like it?”

Lady Mary cThe “it” I was referring to, was the movie adaptation of Downton Abbey, the British TV series broadcast as part of PBS Masterpiece Theatre. The series ran for six years, following the lives of an aristocratic family and their domestic servants. It was standard Masterpiece fare, character-driven and rich in visuals and dialogue along with being a guilty pleasure. Think, The Crown meets The Young & the Restless.

My friend’s reply was typical Lady Mary. “It wasn’t great, but good enough. It felt like a longer version of one more episode.” My friend and I were a good dichotomy for the typical target audience for Downton Abbey. While she was a loyal royal watcher from the beginning, I came along late in the game, with a hard-binge of six seasons on Amazon Prime. Knowing its audience, the movie trailer didn’t pretend to market itself as a vehicle for anyone who wasn’t already a fan of the TV series.

But should Good enough be an acceptable review? Why is it that movies seldom capture the essence of that unique story that catches fire with readers and viewers? Too often, the magic of a carefully drawn-out story just doesn’t lend itself to the 2-hour adaptation on the movie screen.

Let’s look at another story that caught fire several years ago, when journalist, Jeanette Walls wrote of her life, in the memoir, The Glass Castle. This book spent over 260 weeks on the New York Times Best Seller list, and it’s hard to find a book club that didn’t devour this classic, or a reader who didn’t bond with the story on some level. Yet, when the movie version of The Glass Castle finally debuted, starring a strong cast consisting of Brie Larson, Woody Harrelson and Naomi Watts, the story fell flat, perhaps suffering from having to leave too much heart on the editing floor.

Sometimes, we should leave the best stories in their original packaging. It is a rare instance when the written word transfers so eloquently to the movie screen. To Kill a Mockingbird comes to mind. But more often, the result resembles my feelings when turning off the TV after viewing El Camino on Netflix, a movie picking up immediately after the last scene in the incredibly rewarding last episode of Breaking Bad. While it was nice to see Jessie, our anti-hero again, did we need to revisit what was already the best ending ever for any TV series?

And yet, it can certainly be argued that the best movies come from successful screenplays. Local author, Bonnie Jo Campbell has been touring the country as the film adaptation of her novel, Once Upon a River makes an appearance at many film festivals. We can only hope it pays a visit soon to our area.

Here’s a thought… maybe some endings are best left alone, even if it was nice catching up with the Crawleys and the downstairs staff in Downton Abbey. I wonder what the gang from Mad Men has been up to?

Heidi McCrary is a writer and a regular contributor to Women’s LifeStyle.
Look for her debut novel, Chasing North Star in September 2020. Follow Heidi at https://heidimccrary.net/ and https://www.facebook.com/HeidiMcCraryAuthor