A new spin on an old story

If you recall where you were when you first heard the news that Elvis died, this movie is for you. And if you only know Elvis through your mother or grandmother, it’s time you learned why they never threw those vinyl records away.

While there have been other movies that addressed the life and death of Elvis Presley, most biopics traveled down the familiar road of “Young boy becomes overnight singing sensation—living on the road, sandwiched between the adrenaline of music, drugs, women, and loneliness.” Another life rocketing to stardom, only to be shot down too early in life.

But ELVIS, the 2022 film by director Baz Luhrmann is another story…

If the name, Luhrmann sounds familiar to you, it may be because you caught one of his other films, including MOULIN ROUGE! and the 2013 adaptation of THE GREAT GATSBY.  Both of these stylish films took a creative spin on the telling of a classic tale by adding modern music, dialog, and editing.

This same approach has been applied to the telling of the story of Elvis Presley, this time focusing on the dynamics between Presley and his manager Colonel Parker, portrayed by Austin Butler and Tom Hanks. If you’re old enough to recall the news stories at the time, you’re familiar with the story of Parker taking advantage of his young inexperienced client, but it’s also likely that you never realized the depths of his manipulation and destruction of a young man who put all his trust in him.

While Butler’s portrayal is natural and blends seamlessly in the stylish storytelling by Luhrmann, Hanks has the unfortunate role of playing a character painted with broad strokes and pigeonholed into the role of villain. All that was missing was Hanks stroking a cartoon mustache while throwing back an evil laugh. And while Luhrmann’s editing works for the most part, the many metaphors throughout are as subtle as a jackhammer.

We all know how the story of Elvis Presley ends, and while this rendition of ELVIS isn’t without flaws, it breathes new life on a sad story. The ending, showing actual footage from one of Presley’s last concert performances is, by itself, worth the price of admission.        

ELVIS is nominated for 8 Oscars, including Best Picture, Lead Actor, and Editing. ELVIS can now be rented on Amazon Prime.

  Heidi McCrary is a writer and author of the novel, Chasing North Star – available wherever books are sold. Follow Heidi at and


This family could have lived in Alamo

Just in time for the Golden Globes and Academy Awards season, Steven Spielberg finally brings his inspiration for “E.T.” and his many other blockbuster films to the screen. With “The Fabelmans,” we are introduced to Spielberg’s family during the early fifties, when holidays and other family moments were captured on 8mm movie cameras usually held by fathers, and the image of the nuclear family was often a façade. But this is the story about Spielberg, and we learn how, as a youngster, he was first introduced to the magic of moviemaking with the screening of “The Greatest Show on Earth.”

But this film is so much more than “…and then he started making movies, blah, blah, blah.” While “The Fabelmans” is told through the lens of young Sammy (Steven Spielberg), the film could easily stand alone in the telling of the bittersweet story of Sammy’s troubled mother, Mitzi (played by Michelle Williams), a creative soul who gives up her passion to raise a family while grappling with marriage to a man who doesn’t stimulate her creativity and free spirit.

A parallel could be drawn between the majority of imaginative stories and the writers who endured a dysfunctional childhood. And having a “colorful mother” seems to be a recurring theme in movies that speak to audiences looking for a story with heart, and the reality of creative souls who become successful storytellers.  

Look for this movie to be a dark horse in the race to the awards. “The Fabelmans” can now be rented on Amazon Prime.

 Heidi McCrary is a writer and author of the novel, Chasing North Star – available at Kazoo Books, This is a Bookstore, and online wherever books are sold. Follow Heidi at and


Having just started working at the local TV station, I was still infatuated with the news personalities I would occasionally run into in the hallways and holiday parties. One gentleman in particular was an on-air talent who apparently noticed me as well. Working in the sales department, I had the perk of handling a few fun accounts, like the newly built Kellogg Arena. At that time, the Van Andel Arena in Grand Rapids didn’t exist yet, and most music acts appeared at Wings Stadium in Kalamazoo and the Kellogg Arena in Battle Creek, and many advertising buys that came into the station came with the perk of a ticket trade. Knowing this, this news personality understood that the current advertising schedule promoting an upcoming concert with singer Tom Jones probably came with free tickets, allowing for a cheap date.

But it still surprised me when this popular weather forecaster made his way up to the sales office to ask me if I would like to attend the Tom Jones concert with him. “We can go out to dinner before the show, and my brother will also be accompanying us with his date.” Admittingly starstruck, I accepted his invitation and looked forward to the double date, even though attending a Tom Jones concert was something I envisioned my mother doing. But, hey, it’s Tom Jones. If nothing else, I figured he would be entertaining.

The night of the concert, I walked from my apartment to my date’s car. Peering into the backseat I notice the lone man. “His date couldn’t make it. I figured you wouldn’t mind if he still came along,” my date explained. I did mind. Feeling like we now had a chaperone, I went along on this escapade, which included dinner with the two brothers who enjoyed each other’s company immensely, leaving me with the distinct feeling that I was the third wheel on this peculiar adventure. As the three of us continued to the Kellogg Arena, my date and his brother continued enjoying the evening, soaking in the adulation from those sitting around us as they realized they were in the presence of a local TV star. Autographs were signed, animated conversation ensued, and I sat back to a night of Tom Jones with an arena full of women my mother’s age (Keep in mind that I was 20-something at the time).        

The evening finally ended with the two of them driving me home, leaving me with the question of whether I was supposed to kiss both of them goodnight. As the car rolled into the driveway, I thanked both for a nice evening and bolted from that car before it came to a complete stop. If only I could have forecasted how my date with the weatherman would have gone, I would have turned the channel. Tom Jones? Not going to lie, he was the best part of the evening.  

My 3 Months in Car Sales

(Or as I prefer calling it, eternity)

I’m not sure why, but for a crazy moment in 1990 I decided to derail my career in TV advertising sales for the lucrative career in car sales. Knowing little about cars and the auto industry in general, I razzle-dazzled my way into a local car dealership that included LOTS of male salespeople and one lone woman. Back then, to be good at car sales, you didn’t really need to understand the mechanics of what hid beneath the hood of a Mercury Sable or how it differed from its cross-town sister, the Ford Taurus (Hint: there was virtually no difference other than window dressing). You simply needed to be good at selling. Or to hammer home the point, in the words of Blake in the iconic movie, “Glengarry Glen Ross,” “Learn your ABC’s. Always Be Closing. Always be closing! Always be closing!!”   

Trading in my knowledge of Nielsen ratings for Motortrend ratings, I quickly learned the salesperson’s ritual of the “walk-around,” best described as highlighting the basic features of each individual car. To female customers, I would point out the many cupholders and the little-known fact that the driver’s seat on the Sable was shorter in length to better accommodate female drivers, who were the target customer for this car—a fact I conveniently omitted when showing the car to men. Beyond that, people had few questions, and I never tired of saying, “Good question. I’m new here so let me get back to you with an answer.” Entering the majestic newly renovated two-story building sitting on the massive car lot, I immediately devoured the information available to me. Eager to learn, I attended our first sales seminar…   

“Remember to ALWAYS do the walk-around for the customer. It’s a step that CANNOT be missed.” The presenter was dressed in a bit-too-loud blue suit which I imagine he wore to every dealership for his seminars. He spoke in an excited pitch that left him no room for growth, even if he actually wanted to make a point about something. And every sentence he spoke was accented with an exclamation point. “And once you get them into the closing room and you’ve presented them with the numbers, turn the contract around so it’s facing them, and present the pen, letting it ‘slip’ from your fingers. That’s right, the pen will roll down the sheet, and the customer will instinctively reach for the rolling pen. And it is now in their hands! You’re about to make a sale!”

I believe an actual shudder traveled through my body as I glanced around the room, wondering if the other salespeople were as turned off as I was with this last bit of sales trickery, but all I saw were nodding heads. They were already practicing the “pen-roll” in their heads and counting their future commissions. I brushed it off and concentrated on the other tips I learned—tips that didn’t involve rolling pens.

But the “pen-roll” was just the beginning of a business that prides itself on upselling. While customers might think that once they agree upon the price, they are essentially done with the selling process, they are sadly mistaken. After we agreed on price, I kindly escorted the customers to the business manager, whose sole job was to cram as many options as he could on top of the already agreed upon price, and boy, was he good. So good, that he didn’t hesitate to simply add options after the sale was completed and the contract signed, leaving the salesperson the only option of having to “re-sign” the customer when they came back to pick up the car, having to explain why the monthly payment magically changed by an additional $50. “You really need the fabric protection. It will ensure your investment when it’s time to trade it in,” (It didn’t) or “Rust proofing is a must if you live in Michigan,” and so on. When I balked and questioned our business manager on his suspect practice of upselling, he simply replied, “I know you can resell it when they come back. You’re a great salesperson.” He was correct that I was able to sell the changes in the contract to the customers, but it most certainly did not make me a great salesperson. It did however make me a common car salesperson. I hated the business manager for his practices, and I hated myself for complying.

But I kept at it, surprisingly seeing very little in the way of sexist treatment from the dealership or pushback from customers. Soon after I arrived at the dealership, the only other female salesperson quit, leaving me as the sole survivor of the female species, a fact I used to my advantage. After all, I quickly learned that many male customers liked working with me, thinking they could outwit a woman in the car sales world.

They couldn’t.     

I recall only one time when a customer blocked my approach, asking to work with a man—a women, who said she would prefer to deal with a man because, “Men know more about cars.”

“No problem,” I said. “I’ll find someone who can help you.” And with that, I found the cockiest know-it-all in the bunch. “Good luck,” I said under my breath as he shook hands with his next victim.

We were trained to sell cars, period—working for the owner, who looked down upon us both figuratively and literally from his glassed-in office perched high over the showroom floor. Spiffs (added bonuses from the car manufacturers) and commissions drove us to steer customers away from one car to another, and customers with weak financial backing drove the business manager to offer inflated financing to those most in need of assistance. Looking for a comfortable monthly rate? This was music to our ears. No problem, we can just stretch out those payments a few more months.

And those hours… Most car dealerships are open six days a week, with hours that stretch into the late evening on two of those days. That’s 9am to 9pm. While we were granted a floating day off, as my manager explained to me on my first day, “Smart salespeople know to come in on their day off. You don’t want to miss out on a sale.” By the time Sunday rolled along, I was exhausted, knowing that the long workweek would be starting all over again.  

It took me three months to realize I had the philosophy of car sales backwards. I was approaching it as wanting to help people get into the car of their dreams. Instead, I only helped the owner of the dealership realize his dream of becoming king.

Heidi McCrary is a writer and author of the novel, Chasing North Star – available at Kazoo Books, This is a Bookstore, and online wherever books are sold. Follow Heidi at and